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You've selected:
One Of My Turns
Sheetmusic to print
273 sheet music found
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251
One Of My Turns
One Of My Turns
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Jazz Ensemble
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INTERMEDIATE
#
Rock
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Roger Waters
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Daryl McKenzie
#
One Of My Turns
#
Daryl McKenzie
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734041 Composed by Roger Waters. Arranged by Daryl McKenzie. Rock. Score and parts. 45 pages. Daryl McKe...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734041 Composed by Roger Waters. Arranged by Daryl McKenzie. Rock. Score and parts. 45 pages. Daryl McKenzie #5011027. Published by Daryl McKenzie (A0.734041). Arranged in the style of Pink Floyd for Vocal with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Keyboards (Strings), Guitar, Bass, Drums, Percussion) Key of Em with key change to Gm
$59.99 ≈
55.99€
Symphonie Fantastique for Trombone Octet
Symphonie Fantastique for Trombone Octet
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Trombone ensemble
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ADVANCED
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Classical
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Hector Berlioz
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Phil Thrift
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Symphonie Fantastique for Trom
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Phil Thrift
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SheetMusicPlus
Large Ensemble Bass Trombone - Level 5 - SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts....
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Large Ensemble Bass Trombone - Level 5 - SKU: A0.955720 Composed by Hector Berlioz. Arranged by Phil Thrift. Classical,Romantic Period. Score and parts. 56 pages. Phil Thrift #5322013. Published by Phil Thrift (A0.955720). This, the trombone octet adaptation of my trombone quartet arrangement of Hector Berlioz’ Symphonie Fantastique, again features all the well-known themes of the full orchestral symphony. The beginning is identical with the original, but then proceeds immediately to the March to the Scaffold of the fourth movement. The famous idée fixe of the symphony is first heard at measure 72, and this is followed by other themes from the first movement. The adagio at measure 164 re-creates the pastoral duet of the symphony’s third movement. As indicated on the charts, the first trombone (alto) should play this section offstage (as for the oboist in the original), while the others remain on stage. If this is not possible, then the first trombone should play this section muted. This very reflective interlude is followed by my personal favorite, the wondrously jolly waltz from the symphony’s second movement. The Witches’ Round Dance, a sort of fugue, comes next, and leads to the dies irae – played in four octaves here, but in this octet version heard together with the Witches’ Round Dance. The idée fixe is stated once again before the arrangement concludes in the same way as the original symphony.This is a light-hearted arrangement that is not intended to re-create exactly the grandeur of the original with its huge orchestral forces. Lasting nearly 9 min, depending on how fast you take some sections, this piece will require some stamina, but with many sections arranged for two, three or four trombones, every player does get a break. The first part requires a very capable alto trombonist with a good high register.Player 1 plays alto throughout, player 2 switches between alto and tenor, and parts 7 and 8 are for bass trombone.Sensible page turns were impossible to incorporate in some of the parts while at the same time not exceeding four pages. So in those parts the players are instructed – during longer breaks – to fetch the next page in good time, which is easily possible if the parts are printed out on separate sheets. Players using tablets won’t have any problems, of course.
$8.99 ≈
8.39€
Dvorak's Humoresque - Saxophone Duet
Dvorak's Humoresque - Saxophone Duet
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2 Saxophones (duet)
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INTERMEDIATE
#
Classical
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Antonin Dvorak
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Richard E Brown
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Dvorak's Humoresque - Saxophon
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Dacker Music
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.814833 Composed by Antonin Dvorak. Arranged by Richard E Brown. C...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.814833 Composed by Antonin Dvorak. Arranged by Richard E Brown. Concert,Romantic Period,Standards. Score and parts. 11 pages. Dacker Music #6113363. Published by Dacker Music (A0.814833). Dvorak's Humoresque (op.101, no.7), is one of his most famous compositions and has been arranged many times for many combinations of instruments. This arrangement for alto and tenor saxophone duet was originally written for clarinets in 2000, as a contest piece for my middle school students in Albuquerque. Separate parts are included to do away with awkward page turns. Grade 3 - Duration
$4.95 ≈
4.62€
One Of My Turns by Pink Floyd - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
#
Pink Floyd
#
One Of My Turns
#
Musicnotes
Performed by: Pink Floyd: One Of My Turns Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (th...
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Performed by: Pink Floyd: One Of My Turns Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Movie/TV~~Art-Rock/Progressive~~British Invasion~~Hard Rock~~Psychedelic~~Album Rock
$5.50 ≈
5.13€
One of My Turns by Pink Floyd - Guitar TAB
#
Guitar notes and tablatures
#
Pink Floyd
#
One of My Turns
#
Musicnotes
Performed by: Pink Floyd: One of My Turns Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (th...
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Performed by: Pink Floyd: One of My Turns Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2; 6 pages -- Art-Rock/Progressive~~Album Rock~~Hard Rock
$5.79 ≈
5.40€
One Of My Turns
One Of My Turns
#
Guitar notes and tablatures
#
Rock
#
Pink Floyd and Roger Waters
#
One Of My Turns
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.403859 By Pink Floyd and Roger Waters. Pop,Rock. Guitar TAB. 7 pages. Published by Hal Leonard - Digital (HX.403859). ...
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SKU: HX.403859 By Pink Floyd and Roger Waters. Pop,Rock. Guitar TAB. 7 pages. Published by Hal Leonard - Digital (HX.403859).
$4.99 ≈
4.66€
Concerto for Trombone and Piano accompaniment (piano reduction)
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00 ≈
32.67€
Five Foot Two (Has Anybody Seen My Gal)
Five Foot Two (Has Anybody Seen My Gal)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Contemporary
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F
#
Five Foot Two
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press...
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Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press
The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions.
This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns.
Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$14.95 ≈
13.95€
Last Of The Summer Wine Theme
Last Of The Summer Wine Theme
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Ronald Hazlehurst and Ronnie H
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Derek Hasted
#
Last Of The Summer Wine Theme
#
Derek Hasted
#
SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797799 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemporary,Film/TV. S...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797799 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 12 pages. Derek Hasted #6109013. Published by Derek Hasted (A0.797799). LAST OF THE SUMMER WINE - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s longest running comedies.The music elegantly captures the calm of country life and the simplicity of times gone by, and makes for a refreshing and accessible concert item whether you know the original music or not.In my arrangement, Guitar 1 and Guitar 2 take turns to play the tune - each part is clearly labelled - and the weaving motifs of the haunting melody are underpinned by an accompaniment that mirrors the rhythm and harmony of the original.Fingering for the upper parts is left to the players - some may want to stay up the neck throughout for a rich and mellow tone, others may feel more confident coming lower down the neck for the lower notes to keep the majority of them off the wire-wound strings.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.66€
While My Guitar Gently Weeps
While My Guitar Gently Weeps
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Yuki Murakami
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HELEN MARPLE-HORVAT
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While My Guitar Gently Weeps
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, a...
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String Quartet String Quartet - Level 5 - SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 23 pages. Helen Marple-Horvat #5310861. Published by Helen Marple-Horvat (A0.749227). https://www.youtube.com/watch?v=_YGzCML5OKYFor many years I laboured under the impression that George Harrison played guitar on this song as well as writing it, but it turns out to have been played by Eric Clapton.This wonderful song is on the ‘100 Greatest Guitar Songs’ list, and number ten on ‘The Beatles 100 Greatest Songs’. None of this is a surprise! I have long wanted to arrange this for Capriccio String Quartet, and I am very proud of it. I think they give a tremendously passionate performance. I am aiming this one at the professional market as it is quite complex. However, with the usual modifications I feel sure that young players could tackle it. I recommend dropping the cello an octave for the first twelve bars but the rest of the cello part falls within expectations for ABRSM Grade 5. As usual the double stopping often contains an open string but it will be possible simply to miss out a note out where tuning could be difficult for young players. Choose from the Score the note that is not already played by one of the others. I am usually writing double stopping to thicken the texture rather than for harmonic considerations. The bowing is just a guide. Take as many bows and play as many open strings as you need to make the song feel comfortable.There is a difficult page turn for viola who plays throughout, so two bars before G could be omitted if necessary as other parts have the note E. The other players have a page break on rests, and the cellist can play open strings and quickly turn with the left hand.Please visit my Youtube Channel at Helen Marple-Horvat Songwriter, Arranger, Composer for playlists of all my arrangements, most of which have been recorded. All but three are available from Sheet Music Plus.
$20.00 ≈
18.67€
Samba Pa Ti
Samba Pa Ti
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Santana
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Jeff Tincher
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Samba Pa Ti
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584856 By Santana. By Carlos Santana. Arranged by Jeff Tincher. Latin,Pop,Rock. Score and parts...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - SKU: A0.584856 By Santana. By Carlos Santana. Arranged by Jeff Tincher. Latin,Pop,Rock. Score and parts. 25 pages. Jeff Tincher #6065399. Published by Jeff Tincher (A0.584856). Here is one of the biggest instrumental hits. In the original key from Santana's Abraxas LP, this begins with a really nice ballad then turns into a moderate Latin rhythm. Duration = 4:55. Visit my websites: https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.12€
He Shall Feed His Flock Like a Shepherd for Low Flute Choir
He Shall Feed His Flock Like a Shepherd for Low Flute Choir
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Flute ensemble
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INTERMEDIATE
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Classical
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George Frideric Handel
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Lisa Ochoco
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He Shall Feed His Flock Like a
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560116 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Chri...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560116 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 18 pages. Lisa L Ochoco #6450809. Published by Lisa L Ochoco (A0.560116). This is one of my favorite movements of Handel's Messiah and it turns out that it makes a great flute choir piece too. The 1st alto flute gets to shine here, and the part can be done as a group or just a solo, as long as the melody can be heard well above the rest of the choir.
$12.00 ≈
11.20€
Bach Little Fugue in G Minor for Brass Quintet BWV 578
Bach Little Fugue in G Minor for Brass Quintet BWV 578
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.796864 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque. Score and parts. 29 pages. Stephanie ...
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Brass Ensemble - Level 5 - SKU: A0.796864 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque. Score and parts. 29 pages. Stephanie Daige #3368125. Published by Stephanie Daige (A0.796864). This little fugue is one of Bach's most famous and beloved keyboard works. Re-imagined for brass quintet, it is a challenging and fun setting for this fugue. The five instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments add a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these brass instruments, which obviously wasn’t an issue in the original version intended for organ. This piece would be appropriate for advanced high school students, college students,or professionals. It would do well in a chamber music concert, a church, or between acts of a larger ensemble concert,perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There is also a version of this piece available for woodwind quintet. Please check out my other arrangements at:http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$9.99 ≈
9.32€
Road Trip (for Brass Quintet)
Road Trip (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Road Trip
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158418 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 31 pages. H...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158418 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 31 pages. Https://gildedmusicpress.com/ #758704. Published by https://gildedmusicpress.com/ (A0.1158418). Some of my fondest memories as a child were made during long, uncomfortable road trips. As a father, similar memories with my children are among my warmest. This three-and-a-half-minute piece of music aptly tells the title’s story. The excitement leading up to the anticipated day of departure is electric! The opening fanfare-ish intro reflects this buzz well. It is followed by a quirky rhythmic section as “helpful” kids load their poorly packed bags full of unnecessary items awkwardly into the vehicle. The fanfare returns as the family hits the road at last. As the rest of the music unfolds, imagine the alphabet game, off-key songs sung at the top of everyone’s lungs, rest stops (emergency or otherwise), spilled food, car problems, drowsiness, souvenirs, car sickness, and of course ultimate arrival at planned destinations. This soundtrack to a fun part of life can be anyone’s road trip! Work on this composition began on September 19, 2021 as a thoroughly sketched out fanfare in my manuscript notebook during a church youth activity in a park. It remained in that state until I contracted Covid-19 in July 2022 and was confined to a hotel room for a week. There, I entered this sketch into the computer, along with a dozen others. Throughout the summer, all of these works received some attention, but this one more than the rest. Much of the final work on “Road Trip” took place during a trip to Philadelphia.
$24.95 ≈
23.29€
Wind Quintet - One Rule
Wind Quintet - One Rule
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00 ≈
32.67€
Jesus Walked This Lonesome Valley
Jesus Walked This Lonesome Valley
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Handbells
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EASY
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Sacred music
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African American Spiritual
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Alan Beyel
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Jesus Walked This Lonesome Val
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Alan Beyel
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.1375382 Composed by African American Spiritual. Arranged by Alan Beyel. Christian,Religious,Sacred,Spiritual. Score. 2 page...
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Handbell - Level 2 - SKU: A0.1375382 Composed by African American Spiritual. Arranged by Alan Beyel. Christian,Religious,Sacred,Spiritual. Score. 2 pages. Alan Beyel #959939. Published by Alan Beyel (A0.1375382). This arrangement has measure numbers on every measure with hymn lyrics included to make it easier for ringers with limited music reading skills. There is no 4-in hand technique required, and there are no page turns needed- all of which will minimize your rehearsal time. Possibly playable with fewer ringers if 4-in-hand technique is used.Also available as part of my Familiar Hymns for Handbells, Volume 2 which includes eight arrangements for 9 ringers with a license to make as many copies needed for your choir for only $45.
$2.99 ≈
2.79€
La Morte delle Arte
La Morte delle Arte
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Clarinet and Piano
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INTERMEDIATE/ADVANCED
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Nathan Grocholski
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La Morte delle Arte
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Nathan Grocholski
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1200184 Composed by Nathan Grocholski. Classical,Contemporary,Contest,Festival. Score and part. 15 pages. Nath...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1200184 Composed by Nathan Grocholski. Classical,Contemporary,Contest,Festival. Score and part. 15 pages. Nathan Grocholski #798986. Published by Nathan Grocholski (A0.1200184). La Morte delle Arte is Latin for “Death of the Arts.” This piece was originally written during a dark time in my life when I felt down and depressed, as if none of my music was going to be successful and I was failing in every aspect possible. Over time, this piece went through several re-writes, even going so far as to completely scrapping the original melody and adding more development once I gained more experience in classical compositional styles. Throughout the piece is a melancholy tune, with exciting twists and turns and technical passages that make for a challenging and adventurous piece to play!
$5.00 ≈
4.67€
Scotland, My Heart (Piano Accompaniment Track)
Scotland, My Heart (Piano Accompaniment Track)
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Carol Troutman Wiggins
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ff >
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Scotland, My Heart
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - SKU: A0.1065356 Composed by Carol Troutman Wiggins. Instructional,Patriotic,Standards. Accompaniment. Duration 201. Carol Troutman Wiggins...
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Choir,Piano - SKU: A0.1065356 Composed by Carol Troutman Wiggins. Instructional,Patriotic,Standards. Accompaniment. Duration 201. Carol Troutman Wiggins #3011151. Published by Carol Troutman Wiggins (A0.1065356). Scotland, My Heart (with 'Loch Lomond') Piano Accompaniment Trackfor SAB/3-Part Mixed Chorus with Optional Bagpipes/Recorder arrangementScotland, My Heart is a song of love for the country of Scotland, from royalty to friends and family, and the pride that is shown when showing allegiance. The traditional tune 'Loch Lomond is intertwined in this arrangement.Includes a beautiful melody with bagpipe drones in the late intermediate level accompaniment.Recorder or other instrument may be substituted for bagpipesDrums may be used ad lib (cues in song)Humming introduces the melodyComfortable singing rangeChords included Soft, easy melody leads to a very climactic center which returns to a fading out process (p > ff > ppp) The idea of the song is that the drone of the bagpipes is heard barely in the distance, then the drums are added. The vocals to the song start of very light and easy with humming and adding one part at a time, building together in the center, and finally getting softer, returning to hums, drums fade out, then bagpipes fade out as the pipers are walking away.
$7.99 ≈
7.46€
Terror in 'toon Town for piano 4-hands
Terror in 'toon Town for piano 4-hands
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Contemporary
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Tom Swafford
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Terror in 'toon Town for piano
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Tom Swafford
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 5 - SKU: A0.914131 Composed by Tom Swafford. 20th Century. Score and parts. 23 pages. Tom Swafford #3574933....
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Instrumental Duet Instrumental Duet - Level 5 - SKU: A0.914131 Composed by Tom Swafford. 20th Century. Score and parts. 23 pages. Tom Swafford #3574933. Published by Tom Swafford (A0.914131). An entertaining, rollicking, piano 4-hands piece for adults or advanced students. Towards the end is a sly quote from one of my favorite 20th century Russian composers. Score is designed to be printed double-sided and placed in a notebook, with the lower part's music on the left. The music is arranged so that at least one player has rests for easy page turns. duration: approx. 5 minutes. www.tomswafford.com ASCAP .
$5.00 ≈
4.67€
Legende-Wieniawski-Alto Saxophone duet
Legende-Wieniawski-Alto Saxophone duet
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2 Saxophones (duet)
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EASY
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H Wieniawski
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Phil Beaman
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Legende-Wieniawski-Alto Saxoph
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Phil Beaman
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 2 - SKU: A0.844704 Composed by H Wieniawski. Arranged by Phil Beaman. Romantic Period,Standards. 2 scores. 7 ...
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Alto Saxophone Duet Alto Saxophone - Level 2 - SKU: A0.844704 Composed by H Wieniawski. Arranged by Phil Beaman. Romantic Period,Standards. 2 scores. 7 pages. Phil Beaman #5311895. Published by Phil Beaman (A0.844704). Wieniawski's Legende is a repertoire standard that was originally written for Violin solo and Orchestra. I have greatly abridged and simplified the piece into a 2 part instrumental duet without losing any of the character of the Romantic piece. I have arranged themes from each of the three sections, keeping the original structure, but taking liberties such as changing phrasing, dynamics, adding my own markings, and even changing the Time Signature in certain passages. I begin with each instrument taking solo turns on the melody and end with a similar cadenza style set of solos for each instrument. The two parts are of equal importance and much of the character is in the interplay between the two instruments. This is a beautiful concert arrangement of a beloved classic.
$5.99 ≈
5.59€
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One Of My Turns
